April 12, 2012

Lives of Animals - John Maxwell Coetzee

Coetzee is interested in the Outsider/Other.
He himself is an Outsider.  Has a distant personality.  Focuses on the solitary individual.
His work has been compared favourably with Nabokov, Kafka and Conrad.
Coetzee’s writings question any easy correspondence between fictional representation and the rapid changes in the 20C.
He seeks to problematize rather than produce.
Coetzee is considered a postmodern and post-colonial writer.

Presentation:
Just for the record, I am not an animal rights activist.
Recognition that the ability to choose a certain diet/lifestyle entails the privilege to choose in the first place. Understand that life eats life. But I cannot understand unnecessarily killing.  In the context of my urban environment, I do not need to use animals or animal byproducts in order to be healthy or more broadly to live.

Costello is accused by her son and daughter-in-law to have a terrible delivery.  Could this be why Coetzee chose to deliver a lecture in the Tanner Lectures on Human Values via a novella?  Perhaps he knows that his delivery may be flat and thus not persuasive.
In 2007, Hugo Weaving read a speech written by Coetzee for Voiceless, an Australian animal rights group.  The speech is called “I feel therefore I am.”
http://old.voiceless.org.au/About_Us/Misc/A_word_from_J.M._Coetzee_-_Voiceless_I_feel_therefore_I_am.html
“[Practices which] we might also call cruel and inhuman but for the fact that inhuman is the wrong word, such practices are all too human.”
Debates about whether Elizabeth Costello is John Maxwell Coetzee’s alter ego?
I think Coetzee is speaking through the voices of John Bernard (who is a little bit sympathetic to Costello) and  Elizabeth Costello.  Maybe Coetzee is still working out his own paradoxes and inconsistencies in his thoughts and actions relating to animal ethics?  Brainchatter?  Left brain ‘taking over’ right brain?  I suspect that LoA is semi-autobiographical.

Private versus public reasoning?  LoA written in 1999.   Fictional characters allow Coetzee to separate his private and public reasoning but he (speaking as Coetzee) has become more outspoken on animal issues in the last few years.

Coetzee is known to be elusive.  Rarely giving interviews or making public appearances.
Apparently he has also rarely been seen smiling.  This brings to my mind the austere sisters in Babette’s Feast and unfortunately reinforces the notion that vegetarians/vegans are austere people who are “missing out in life”.
Speaking for myself, I disagree.  To eat with a fuller conscience allows me to enjoy my foods so much more.  In religious terms, eating vegan allows me to experience grace.

Why food animals? They are the most exploited animals on earth.
Coetzee’s speech (Hugo Weaving): “We can make a long list of the ways in which our relations to animals are wrong, but the food industry, which turns living animals into what it euphemistically calls animal products – animal products and animal by-products – dwarfs all others in the number of individual animal lives it affects.”

Vegetarianism does not equal compassionate towards animals.  I agree.  There is no homogenous concept of vegetarianism or veganism. The motives to go veg also differ.
Health, environmental, religious, etc. For me, veganism is a way of life (as opposed to a diet fad) that is congruent with my personal ethics and philosophy of ahimsa (non-violence/harm), of minimizing harm to others and to my surroundings.  It is also a lifestyle that makes sense to me in my urban environment in which animal and animal byproducts are not necessary for my survival.  My veganism is expressed by my rejection of all animal and animal byproducts as food, clothing and beyond.
Veganism as an alternate way of being in relations to non-human-animals.  (Seeing animals not as food or property but as fellow creatures brings me tremendous joy than I cannot express through words but I feel it.  “Who feels it knows” – Bob Marley).

“Desire to save my soul” parallel with religious awakening.
Just as James argues that the philosophy of religion is insufficient to explain complex religious experiences, Costello shows that philosophy in itself is inadequate to address the complex question of how we as human-animals should treat our fellow non-human-animals. I observe that the ‘revelation’ of my own animal ethics is an authority for myself alone.  However, I am in agreement with James that the intuitive feeling of this knowledge is rooted in the embodied senses, through the identification of one’s self with the ‘Other’ (the non-human-animal via poetic/artistic imagination).  In this way, salvation is, in theory, is attainable by all but first, a willingness to be open to salvation, to open one’s heart to non-human-animals is absolutely essential.   Abstaining from animal foods and beyond is part of what constitutes a good life to me.

Coetzee notes that the field of animal ethics is “a curious one in one respect: that the fellow beings on whose behalf we are acting are unaware of what we are up to and, if we succeed, are unlikely to thank us. There is even a sense in which they do not know what is wrong. They do certainly not know what is wrong in the same way that we know what is wrong. So, even though we may feel very close to our fellow creatures as we act for them, this remains a human enterprise from beginning to end.” (speech read by Weaving).
Coetzee/Costello also points more broadly to limits of the power of language to touch on ethical issues.
Reason vs. Passion – continuum, not a dichotomy – Humean morality.
I see value in approaching the issue of animal ethics via philosophy as well as through poetic/artistic imagination.
Philosophy can help to clarify thoughts and/or to show holes in one’s arguments.
Poetic/artistic imagination has the power to move us in ways that philosophy cannot.
But to debate ceaselessly about which medium is more important is not particularly useful.

Animal ethics/rights implicit but the main topic (to me) is
Can vegans/vegetarians and meat-eaters have a genuine/serious/civil/respectful dialogue or are the competing ideologies so deeply divided rendering meaningful discussion futile?

Appreciate that Coetzee/Costello notes that while vegetarianism/veganism may be an ideology, so is meat-eating (based on what I feel is an arbitrary judgment on the ‘value’ of human-animals v. non-human-animals).
Quote from a member of the blog, vegansofcolor: “I find it frustrating that the dominant ideology – to eat meat, in this case – is not recognized as an ideology, that the status quo is unquestioned & those disagreeing with it can be accused of moralizing while those in line with it are not espousing any moral view at all.” – Think Norma.  Think social justice issues.  Meat-eating is a male dominant ideology (for those who are interested in this, I suggest reading Carol J. Adams).
Animal ethics rather than rights.  The language of rights from the Enlightenment period is problematic on its emphasis on rationality.
Affirm similarities rather than differences.
Particularly with fellow mammalians.
Connections to female/male gender.  Baffled by Kala’s want of a goat thinking that this goat will just produce milk for her.  People seem out of touch with reality due to their distant relationship with the food-animals.  Not cognizant that in order to get milk, you need to impregnate a mammal repeatedly (usually by a machine termed a ‘rape rack’ in the industry or by human arms).
Quote from my essay:
“I wished that instead of having Elizabeth talk about the unethical nature of consuming veal to her grandchildren that you had her instead relating the experience of a mother cow being artificially inseminated year after year, against her will, only to have her child torn away permanently from her shortly after childbirth, having her child denied her rightful food, the milk of her mother, having her milk then stolen from her to provide to human-animals who do not need bovine milk in order to live, having every child of hers turned into a commodity and having the emotional and physical pains from forced repeated pregnancies to Norma’s own painful and joyous experience of pregnancy, childbirth and motherhood.”
These are real lived experiences.
Following in Smuts’ lead, I would further argue that a more direct identification with non-human-animals is an important bridge to an animal ethics ‘salvation’.

Philip touched on the issue of sight (or the lack of it for most people).
Would we want to eat meat if slaughterhouses had CCTVs or glass walls?
“As with any violent ideology, the populace must be shielded from direct exposure to the victims of the system, lest they begin questioning the system or their participation in it. This truth speaks for itself: why else would the meat industry go to such lengths to keep its practices invisible?” ~ Melanie Joy
Every Twelve Seconds: Industrialized Slaughter and the Politics of Sight – Timothy Pachirat

Deflection of personal responsibility reinforced by invisibility.  Claiming ignorance.  Awareness atrocities (genocide, war,  cruelty to animals, etc.) but lack of  guilt/shame. One could argue this is a decline in humanity.  Once you have the exposure/awareness/knowledge, how does one deal with the trauma?  (Costello and Red peter as wounded animals).
Sue Coe vegan artist who draws images from her experience in slaughterhouses.
How do you stomach being in the midst of a killing floor? Does making the images help you cope? Or do you become numb after a while? The images are about me retraumatizing you, the viewer. Trauma is like having acid thrown onto your brain: Like an etching plate, it eats into it, and you are compelled to keep imprinting it onto other people, until they feel it too. It’s not my stomach I worry about; it’s my mind, or wherever my soul is located, because it gets broken every time animals suffer. When I make art, I make more witnesses, and when there are enough witnesses, the horror stops. Insanity comes from isolation, feeling you are alone in seeing what most do not. Many animal-protection activists suffer immensely, because they have opened a door of consciousness that enables them to see a reality that very few want to see. Article: http://www.printmag.com/Article/Witness-to-Slaughter
Much of the language to justify the use of animals is the same language we used to justify slavery, colonial conquest.
From Aristotle’s Politics, slavery was ‘needed’ to built Greek civilization as we know it today.  Was it really a ‘need’ or a ‘want’?  Ditto in current context (do we really need the sweatshops and the cheap goods?) and pro-meat arguments in a context in which we do not need it.

For the human-animal, the non-human-animal companion in their care is thought of more as a family member, thus informally relegating the non-human-animal to the status of a ‘person’ rather than an object.  Implicitly, these human-animals recognize the immorality of the law that degrades those nearest and dearest to us to nothing more than a thing.  The (in)justice system that I find myself in will likely impose a harsher punishment to an individual who smashes the windows of a bank than to an individual who abuses a non-human-animal.

King speaks at length about unjust laws in which man-made laws “are out of harmony with the moral law” (para. 13).  Animal ethics is complex issue but in general, it is a matter of aligning one’s conscience with one’s actions in a consistent manner.  I feel a moral responsibility to ‘disobey’ the ‘monstrous’ cruelty inflicted on cows, pigs, chickens, etc. while I treat Kaslo, my dog as a member of my family.

Empathetic rather than sympathetic imagination.  Feel with rather than for.

Animal rights vs animal welfare - parallels between social justice movements - radical vs. reformist.
We need to tie all social justice issues together.  Veg does not equal humane/ethical.  Need to tie in labour issues, economic issues, environmental issues, links to racism, sexism and beyond.

“In the tradition of Mencius, you consistently point to one’s heart to guide one to the ‘right path’.  In pursuing and maintaining our own personal animal ethics, I am optimistic, although only mildly that this will in turn slowly create a domino effect of empathetic imagination, trickling down directly those closest to us, if we do not first alienate them by creating an ‘us versus them’ dichotomy.”  This entails not behaving like a self-righteous vegetarian/vegan and not thinking that you are somehow better than the meat-eater becuase you are not.
Cultivating virtue and what constitute a good life by habit  - Stoicism.

Questions for The Lives of Animals
1. Can vegans/vegetarians and meat-eaters have a genuine/serious/civil/respectful dialogue or are the competing ideologies so deeply divided rendering meaningful discussion futile?
2. Why is Elizabeth Costello’s Holocaust comparison ‘offensive’?  The Transatlantic slave trade is often invoked as another point of comparison in the treatment of food-animals yet I do not hear the kind of uproar that is generated by the slavery comparison.  Why?
3. What does our relationship with non-human animals teach us about our own ‘humanity’?

Discussion:
We should not dismiss abstract thinking altogether.
Why should we reform as a species? Duty to our planet, nature, fellow creatures including human-animals since we are a species that is single-handedly destroying the planet at a rapid speed.  We do ask animals to reform (to behave in a certain way).  If they do not, we may kill them (e.g. ‘tame’ bears).
Industrialization is the problem, not meat-eating.



April 01, 2012

My Stroke of Insight - Jill Bolte Taylor

I am quite surprised and amazed by Taylor's description of her stroke and recovery.  It sounds exactly like the psychedelic experiences I have had before, at least up to a point of bodily control - the blurring of objects, the blurring of where your physical self ends and begins, the many scattered unconnected thoughts, the inability to hold down a plan beyond a minute, the feeling of warmth and in the womb, nirvana, childlike curiosity,  wonderment at nature, etc.  Absolutely amazing.  I had no idea that a stroke can be akin to a psychedelic/spiritual experience...  It is an experience I would not subject myself to on a regular basis but in the right time, place and context and rarely.  It is spiritual healing if done correctly.  Not necessarily just the nirvana that Taylor speaks of but the ability to bring to the forefront emotions that need to be purged.

Random thoughts:
1. Who are we without memories?  Are we more connected to the universe without memories?  Is this what is meant by losing one's self?
2. Being caught between the living and the consciousness but without the ability to interact with the external world - reminds me of Joe Bonham in Johnny Got His Gun.
3. Blurring of science, well being and spirituality - the present moment,  positive emotions, brain chatter are important concepts within Chan/Zen Buddhism - also tied to yoga, states of meditation, transcendence.
4. Taking charge of one's self - control left brain chatter.  Control the internal as well as the external.
5. Enjoying the present moment.  Which then brings the question, what constitute a good and meaningful life?

March 31, 2012

Maus - Art Spiegelman

I love, love, love Maus!  Such an amazing story of pain, of terror, of suffering, of hurt but also of resistance, persistance, love, fellowship amd survival.
Anja's suicide haunts me...  Why did she end her own life after surviving such a horrific ordeal during WWII?  Vladek is portrayed as a miserable man.  Mala thinks Anja must have been a saint to have tolerated Vladek.  Yet Vladek seems to have been a very loving partner in his narratives to Artie.  We will never know since Anja didn't leave a note.  Somehow, I feel her grief and her family's grief in dealing with her death - powerful, powerful stuff considering that the mice in the book does not show much expression other than raised or furrowed eyebrows.
What a great loss that Anja's journals were destroyed.  I deeply want to hear her voice, her story.
Keeping Vladek's voice (in his own broken English) is perfect - it captures his personality more.
Is Vladek such a miserable person because of his experience in the holocaust?  Was he a more likeable person previously?  Other survivors have not turned out as he has.  Each individual experiences trauma different and thus also reconciles them differently.
"I'm not going to die, and I won't die here!  I want to be treated like a human being." (Maus I: 54)  Would this make others think about the suffering of animals in captivity by humans like I do?
"But you have to struggle for life!" (Maus I: 122) - life is not just happiness, it also includes sadness, challenges and struggles - we may thankfully not eperience the holocaust but there are struggles nonetheless, more for some than others.
Survival for Vladek was due to his quick intelligence/wit, ability to adapt as various professions or to mask as those professionals, his ability to pose as a German and a Jew (it sounds like Anja was too Jewish-looking to pass as a different ethnicity/nationality) but it was due to a lot of luck.
In dire situations, human-animals and I am sure other animals resort to selfish acts for self-preseverance but there is also many stories of love, sharing, caring, suffering for others, risking one's lives for others.  We are capable of 'evil' but also of 'good'.
The killing/extinction of flies with bug spray while talking about Auschwitz (Maus II: 74) is a little ironic if you ask me.
"How amazing it is that a human being reacts the same like this neighbour's dog" (Maus II: 82) - all sentient beings (human-animals and non-human-animals) are capable of suffering, pain and have a desire to live.
Train for cattle to cattle human-animals to death.  Piled up high like 'things' only (Maus II: 85). Why does this horrify us while we justify this cruelty when it comes to food-animals?  Why is the human-animal so short-sighted in their ability to empathize with others?
The mice drawings, their faces specifically remind me physically of my pup's face which perhaps moves me even more.
Art Spiegelman does not tell us too much about himself other than his tensed relationship with his father, mother and ghost brother, Richieu.
Still amazed at how powerful the medium of comic can be - this is inspiring to me!

Letter from a Birmingham Jail - Martin Luther King Jr.

The Letter from a Birmingham Jail is still very relevant today in regards to racial and other social justice issues.  We must look to the root of problems, recognize the intersections of social justice issues and have solidarity with each other in order to affect change.
A great scatching critique of the mainstream systems: it is useless to wait for government to exact change, change comes because oppressed peoples make demands of those in power.  Concessions are granted by governments, by the legal systems - these were fought for.  The government isn't trying to be generous to us.  There is no point 'waiting'.
I support direct action andhave participated in such acts myself.  The critcism I hear of this form of activism resembles what MLK terms as the moderate 'white' - order over justice.  "Sure, sure, we sympathize with Occupy's statements but camping is illegal.  Go volunteer at a soup kitchen, go sign a petition.  These are the ways to enact change".  While I agree that these actions produce some good, this alone is not enough.  Social change is enacted through a diversity of tactics. How to make such people aware that charity merely provides breadcrumbs?  To enact change, we cannot act as our oppressors do, unless necessary - In large numbers, direct action can be a powerful medium to enact change as Rosa Parks and others have.  I am not saying that direct action is the correct way or the only way to exact change.  I reiterate that social change is a continuum of a verity of actions.
The middle class is our current moderate white - complacement and not willing to give up their privileges voluntarily.
Understanding oppressed peoples' discontent helps us to further understan the bitterness that comes from the feeling of helplessness, of nobodyness.  Putting yourself into the Other's shoes.
"Civil discontent is the highest form of patriotism" - Howard Zinn
Legality does not necessarily means that something is moral; ditto for mainstream/majority, long standing traditions and cultures (e.g. female circumcision, meat eating, hunting for sport, etc.)
"We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented."- Elie Wiesel (in regards to MLK's "the appalling silence of good people".)
Inward spirituality, morality is more important that church dogma.
I love this piece of work from MLK - it contains so much truths.  I will remember the 'radical' and 'extremist' MLK.  Listen to his speech below.

March 29, 2012

Lolita - Vladimir Nabokov

I loved this novel.  It contains such beautiful language and although it is not pornographic, it evokes much emotion and imagery - at least for me.  I think Ellie said it well, it is haunting.  Yet fascinating at the same time.  The abuse of power, the deceit, the sexual acts were horrible.  I feel absolutely no sympathy for Humbert Humbert.  Just because he feels some remorse does not make me sympathize for him at all.  In no way is he a victim.  Sure, Lo was no 'angel' and yes, she managed to manipulate Humbert Humbert in her own ways too does not excuse what he did nor lessen his crimes.  To do this is to blame the victim.  Remember comments like, "What was she doing wearing such a short skirt and low cut top anyway?  What did she except" directed at sexual assault victims?  I am not falling for this trap.  Humbert Humbert knows better.  He is the adult, and an educated one to boot.  What does consent mean?  I am not saying that a young person has no agency to consent but to threaten a child (or adult) with a horrible life of state institution or "you're not getting your morning coffee until you have performed your morning duty" is not what I consider to be acts of love or even bribery.  This is an outright threat.

Humbert Humbert is on the outside polite but yet is a different person inside as revealed through his relationship with Lo and his obsession with nymphets.  To be obsess with a cerain body type, to not care about a person's mind at all is baffling - is there something 'missing' in Humbert Humbert?  Is he missing what we call 'conscience'?  And if so, do we hold him legally accountable?  I ask this because someone who is mentally ill/disabled can be legally held non-accountable for the crimes that they commit.  They may be committed to mental institutions indefinitely but they cannot be guilty in the legal system.  How then do we deal with those without a conscience?  What is society's duty to such persons and especially to his/her victims?

What if the roles were reverse and it was a middle aged woman and a twelve year old boy?  How the crime seem 'lesser'?  Is there gender dynamics at play here given that in any heterosexual encounter, the woman is usually in the submissive role, biologically speaking?

I would not invoke cultural relativism in the case of Humbert Humbert and Dolores.  This is a clearcut case to me of manipulative and abuse by Humbert, regardless of Lo's actions and behaviour.  He is a predator and his only redeeming feature to me is that he is not a thief.  He rightfully hands over money derived from Lo's mother's property in the end.

March 23, 2012

Babette's Feast - Isak Dinesen

I watched the movie many moons ago but didn't realize that it is based on a short story.  A lovely tale!  In the past, it was a movie about food, love, friendship and the pleasures of life.  For better or worse, I know also view it from a vegan/animal ethics perspective as well even though this is not a book about animals.

Babette's loss was great but confused me as she seemed to be mourning for her enemies towards the end of the book for they were the ones who frequented her restaurant but perhaps I misunderstood her as mourning for them only but also for her family and other loved ones.

Babette is clearly a very generous woman to the sisters who have been very kind to her as well.  Money is not so important but her ability to create her art is far more important to her - in this case, her artistic ability as a chef.  The love between the various characters, sometimes subtle is warming.  The sisters never pushes Babette to tell the story of her past and Babette very loyally serves the sisters with no questions asked and no challenges either.  I don't think that the sisters did not accept her, rather I think that they showed their acceptance in their own austere ways and in religious ways, the other ways that they know how to show their love and care.

I certainly don't believe in asceticism but I also don't believe in complete indulgence either.  We need to understand our foodways and how food came to be on our plates.  It is a misconception that vegans eat bland foods.  On the contrary, I eat delicious and nutritious foods everyday.  It just takes a bit more creativity when it comes to vegan foods, that's all.  Live animals transported for food suffer very much on a ship and no doubt the live turtle probably did not have the best trip of her life.  Of course, human-animals do not always think of this.  All they see, in the case of Babette's feast is the food in front of them but not how the food came to be on their plate or who the food was prior to becoming food.  These are issues that deeply consume my being.  I love to eat but to eat with a fuller conscience allows me to enjoy my foods that much more.  Some photos of Ellen's Feast below (Just for the record, I am not an artist!).  All 100% plant based.  I share my meals with loved ones in my life and the act of sharing food with those closest to me is certainly therapeutic and strengthens my relationships with them even though like Babette, I am tired out by the day's cooking!

Mother's Day Feast 2011

Just a dinner for my partner and I

Dinner for some good friends

Raw Carrot Cake - Mother's Day 2011

March 20, 2012

The Tin Flute - Gabrielle Roy

1. A pretty anti-war theme riding through this novel.  The futility of war and the dangers of overzealous nationalism/patriotism.  Each side geared up to hate the other - for what?  For a paycheque.  This was true during the WWII and it still is today.  Poor Americans are generally the ones who join the military and get deployed to dangerous zones to protect the empire - only today, they masquerade as 'peacekeepers'.  I love the social commentary on draft dodgers vs. pacifists.
2. Women seem to do the majority of the work (paid and unpaid) in the Lacasse household.  The men can only support their family when the enlist in the army.  Families torn apart for the others can live.  Futility of war.  Who really wins?  Takes me back to Marcus Aurelis - defend the empire for what?  For whom?  Is it really worth so many innocent lives tortured and lost?
3. Sacrifice as an act of love.  Emmanuel for Florentine.  Azarius for his wife and family.  Eugene for his mother and family.
4. Jean Lévesque striving for something better than his childhood riddled with poverty - nothing wrong with this - we all want to be able to live a comfortable life but I think we mustn't forget our roots either.  He is of the higher working class striving to be in the upper class.  He is trying too hard to escape his poverty and alienates those around him and he, denying himself love and happiness.
5. Rose-Anna reminds me of my own grandmother and her poverty during WWII also.  My grandmother also ate less so the rest of the family can eat.  The other children of my grandmother were malnourished in their younger days during the war and so they are the smallest children of the lot of nine children.  The role of housewife, mother and wife is a difficult one.    Under-appreciated unpaid work, even still today.
6. At what breaking point do we break our pride so we can live?  I know I don't lack the pride to take on a 'lesser' job if I had to.  I don't look down on these professions and so it doesn't seem demeaning to me, rather it is a necessary step to being to support myself but perhaps this is easy for me to say when I have a better way 'out' than the characters in Roy's novel.

Interesting that M levels a criticism against Roy in that her characters in dire poverty seem to lack agency and reflection.  I certainly agree with M's assessment but I do not generally critize an author of fiction on her characters.  I may critique the characters but not necessarily the author.  The novel/work of art is what it is and we all intepret it in different ways.  We will never really know the intent of the author.  We can speculate and theorize until we are blue in the face.  For me, The Tin Flute is a novel with an anti-war message, highlighting the desparation of men in dire poverty and its connection to war.

March 15, 2012

Waiting for Godot - Samuel Beckett


Strange characters and relationships!  Interdependence between Didi and Gogo; and Pozzo and Lucky.  They seem to have a terrible relationship with each other yet they cling to each other - maybe cause each other is all they have?  Reminds me of Salamano and his dog in The Stranger.
The seemingly useless ramblings by Didi, Gogo and Pozzo - points to the absurdity in life.  Ranting and ranting for no particular reason, searching for rational answers where there are none.  I catch myself doing this also with my partner and we joke about which of us is Didi and Gogo.  Endless brain chatter and so we distract ourselves so we don't hear the 'dead voices' (ourselves) (p. 40).
Who is Godot?  Is he a metapor for God?  Didi and Gogo waiting for a better future with God - basically an illusion/hope that is futile?  Is that why Godot never comes but they remain hopeful since they have nothing else to hang on to?
I am not clear what the boy represents.  Does he bring Didi and Gogo back to reality that Godot doesn't exists but plays like he does to keep their spirits up?
Does Pozzo represent the arrogant (hu)man and Lucky, the animal?  Pozzo and Lucky seem to have a master and slave type of relationship with each other, much like humans treat animals like slaves.  The slave is told what to do, say, feel and think.
The tedium of poverty, powerlessness and false hope creates a cycle of endless suffering.
Death as respite.

    March 14, 2012

    Goodbye to Berlin - Christopher Isherwood

    Looooooooove Goodbye to Berlin!  Someday, I'll get around to reading the first novella, Mr. Norris Changes Train in Berlin Stories as well.  Some random thoughts:
    1. Interesting how the narration is from an 'objective' point of view.  I use 'objective' loosely since Isherwood (the character) does make subjective comments on the other characters but remains distant at the same time. 
    2. The 'other' is celebrated (the 'other' being the English/Isherwood) - reminds me of my time in Japan where you are considered 'special' because of your western status.
    3. The 'other' hangs out with each other and is in many ways more accepting of one another - e.g. female sex workers and gay males.
    4. Interesting that the sanitorium is an escape haven for Mrs. Nowak - perhaps speaking to the starkness of life as the caretaker of children that in her mind contribute little to the family and society.
    5. Strange interdependence of various characters - absurdity of being human?
    6. Leaving behind those you cannot help (the Germans during Nazi/wartime Berlin) - feelings of guilt?  Loyalty?  Reminds me of the disasters at Fukushima/Tohoku and the blaming of foreigners who left when the going got rough...  The story ends abruptly - too painful to think about what happened to the various characters?  Isherwood can leave Berlin - he was there as a foreigner and has the privilege to leave but many of the characters did not.
    7.  Adaptation - the landlady, Frl. Schroeder adapts to Nazi Germany.  As Isherwood notes, the people will remain in Berlin regardless of which government is in power.  But isn't this adaptation dangerous?  It is part of a survival strategy but at what cost?  Do we agree to fascism and genocide?

    March 10, 2012

    The Outsider (L’Étranger) - Albert Camus

    I read this in either English 11 or 12 a looooong time ago.  I confess that although this is the second time I am reading the text, it feels like the first time all over again.  Some random thoughts:
    1. Mersault seems neither moral nor immoral.  He is amoral.  Should we hold amoral people as immoral as the justice system did to Mersault?  Does this make society moral?  It seems rather immoral of society to do so if someone is actually truly and completely lacking what we call 'conscience'.  How does this then impact the 'justice' system?  Certainly a punitive one, especially with a death penalty doesn't seem like the moral or correct solution...  Raymond is clearly immoral yet he remains a free man.
    2. Mersault is honest, a little too honest.  He refuses to embrace religion which is meaningless to him just because he is sentenced to death.  He refuses to show remorse since he doesn't feel any.  I kind of admire this honesty/principle in this regard. 
    3. Making the best of one's situation - this seems to be what Mersault did in the second half of the novel and also what he believes his mother did.  Pragmatic/sensible and a wee bit optimistic, no - kind of like Candide.
    4. Should someone's character be used to condemn someone in court?  Are we static creatures?  If someone has been indifferent or callous in the past, must this haunt her life forever?  I suppose that this is what we still do in court today if there is only circumstantial evidence and thus this alone is not enough to convict and so we use character/value judgements instead.  Is this justice?  But there were equal amounts of people who testified that Mersault is an honest and good man as those who claim him to be bad.  Why were the 'good' testimonies heard but disregarded?  Was he not condemned from day 1 of the trial then?
    5. Mersault has no control over his fate.  He is not allowed to talk or to defend himself.  His lawyer will take care of things.  Why does one suddenly become a ward/infant all over again when one's life is at stake?
    6. Salamano's cruelty to his dog seems to elicit laughter from others (e.g. Marie).  What does this say about society and our relationship with non-human-animals? He later grieves for his dog even though their relationship was unhealthy and abusive.  Makes me think of Didi and Gogo from Waiting for Godot.